NUESTRA REVOLUCION NO SERA TELEVISADA: NEW FORMS OF EXPRESSION IN CUBA’S CIVIL SOCIETY

Abstract

In an effort to expand the scholarship dealing with the topic of civil society in Cuba, this thesis deals with the question of Cuban civil society and its relationship with socially conscious underground musicians. It is argued that these musicians have established a tradition of political and social involvement on the island throughout the revolutionary period, and that they have been particularly effective and vocal during the years 1990-2010. The main theme has been analyzed through a Post-Marxist framework with the objective of taking into account not only the political and social value of the music, but also the aesthetics of it and its popularity among the Cuban population and particularly the youth of Cuba. Some of the artists featured in this thesis include hip hop duo Los Aldeanos, trovador Carlos Varela, and the rock band Buena Fé.