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Ravel's `Russian' period: Octatonicism in his early works, 1893-1908

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dc.contributor.authorBaur, Stevenen_US
dc.date.accessioned2013-08-07T12:45:13Z
dc.date.available2013-08-07T12:45:13Z
dc.date.issued1999-Fall99en_US
dc.description.abstractAnalyzes octatonicism in the works of Maurice Ravel from 1893 to 1908. Octatonic scale as an alternative to common diatonic practice in the mid-19th century musical compositions; Influence of chromatic harmony on the compositions of Ravel; Attribution of octatonic partitioning to the musical talents of composer Igor Stravinsky.en_US
dc.identifier.citationBaur, Steven. 1999. "Ravel's `Russian' period: Octatonicism in his early works, 1893-1908." Journal of the American Musicological Society 52(3): 531.en_US
dc.identifier.issn00030139en_US
dc.identifier.issue3en_US
dc.identifier.startpage531en_US
dc.identifier.urihttp://hdl.handle.net/10222/34530
dc.identifier.volume52en_US
dc.relation.ispartofJournal of the American Musicological Societyen_US
dc.titleRavel's `Russian' period: Octatonicism in his early works, 1893-1908en_US
dc.typeTexten_US

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