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dc.contributor.authorKo, Carri
dc.date.accessioned2024-08-20T18:03:39Z
dc.date.available2024-08-20T18:03:39Z
dc.date.issued2024-08-19
dc.identifier.urihttp://hdl.handle.net/10222/84429
dc.description.abstractKizuna means “connection” in Japanese, implying that everything is inextricably connected. In Kyoto’s Nishijin district, traditional craft and machiya townhouses share an uncertain fate — one where they might disappear from everyday life. Artisans face challenges in passing down their craft as many do not have successors to inherit their knowledge, leading to the loss of traditional culture. Traditional machiya — the defining vernacular architecture of Kyoto — face a similar fate as they are gradually demolished, resulting in the deterioration of urban heritage. The thesis responds to the disappearance of Japanese craft and machiya by mending the disconnect between tradition and modernity while fostering resilience. By reconnecting the Nishijin community to craft, artisans preserve embodied knowledge and connections to cultural tradition. The reinterpretation and revitalization of the machiya typology reconnects fragments of the past and present, revealing the beauty in transience and an enduring appreciation for the value of craft.en_US
dc.language.isoenen_US
dc.subjectArchitectureen_US
dc.subjectJapanen_US
dc.subjectKyotoen_US
dc.subjectCraften_US
dc.subjectCultural Heritageen_US
dc.titleKizuna: Reconnecting Machiya and Craft Traditions in Kyotoen_US
dc.date.defence2024-06-26
dc.contributor.departmentSchool of Architectureen_US
dc.contributor.degreeMaster of Architectureen_US
dc.contributor.external-examinern/aen_US
dc.contributor.thesis-readerHenry Tsangen_US
dc.contributor.thesis-readerMaría Arquero de Alarcónen_US
dc.contributor.thesis-supervisorRoger Mullinen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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