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dc.contributor.authorGee, Curtis
dc.date.accessioned2024-08-26T15:46:36Z
dc.date.available2024-08-26T15:46:36Z
dc.date.issued2024-07-15
dc.identifier.urihttp://hdl.handle.net/10222/84471
dc.description.abstractEurope’s museum collections were filled by extractive colonial practices. Cultural objects were gathered in European capitals under the guise of conservation and understanding the world. These foreign cultural artifacts would become integral and inalienable pieces in their collections. These objects, however, constitute stolen heritage alienated from their rightful place. Calls for restitution have been made and denied, until recently. The restitution of these artifacts plays an important role in the reflection on the extractive processes of colonization. Located in Paris, the proposed Musée de la Restitution serves as a site of dispersion for stolen artifacts, and a place of reflection on these extractions.en_US
dc.language.isoenen_US
dc.subjectArchitectureen_US
dc.subjectReparationen_US
dc.subjectColonial Extractionsen_US
dc.subjectProvenanceen_US
dc.subjectMusée du Quai Branlyen_US
dc.titleMuseum of Restitution: Reflection and Reparations for French Colonial Extractionsen_US
dc.typeThesisen_US
dc.date.defence2024-06-24
dc.contributor.departmentSchool of Architectureen_US
dc.contributor.degreeMaster of Architectureen_US
dc.contributor.external-examinern/aen_US
dc.contributor.thesis-readerDiogo Burnayen_US
dc.contributor.thesis-readerMaría Arquero de Alarcónen_US
dc.contributor.thesis-supervisorSteve Parcellen_US
dc.contributor.ethics-approvalNot Applicableen_US
dc.contributor.manuscriptsNot Applicableen_US
dc.contributor.copyright-releaseNot Applicableen_US
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